In Conversation With Shyam Konnur On Art, Films And The LGBTQIA+ Community

The day of the parade is one day in my life where I feel legal, I feel like I am allowed to be who I am. I don’t even talk to my friends…I am so excited, I just dance, and jump, and distribute the parchas (laughs)…whichever city I go to. I feel like getting involved in the parade as much as possible. I get lost. For me, pride means a lot of things. It intersects with so many other aspects of our identity. For some people, the work they do becomes an important part of their identity.

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Suggestions to Fellow Queers on How to “USE” Love

We are all gifted with the innate ability to feel and recognise love as an emotion and expression. But we are never taught about how to use it and how important it is to accept that love exists in many forms. I guess we really need to learn how to USE our love, i.e., Understand, Support and Embrace the love that we have for ourselves, and the love we have to share with the world. 

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Interview with Rafiul Alom Rahman - The Queer Muslim Project

Rafiul Alom Rahman is the founder of The Queer Muslim Project (2017), and of the Delhi University Queer Collective (2014). In an interview with Avali and Arunima from The YP Foundation, he talks about the challenges of organising around queer issues and politics within university spaces, about the queer movement in India, and about the importance of The Queer Muslim Project - not only in the lives of Muslim-queers, but also in the larger socio-political context of the country.

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A Letter To My 18 Year Old Self

I write not in the hopes of swaying any of your future decisions. I am in a happy place now and wouldn’t wish you to take an alternate route at all. You might already be thinking of all the possible course of actions you could be taking in the coming time. While not all of your wishes will come to fruition, hereon you won’t regret any step that you take.

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In Conversation: Transmen Collective

In a short conversation with Avali and Tara from The YP Foundation, Ritwik, Jamal and Chitraksh from Transmen Collective talk about issues of representation, inclusion and marginalisation of trans youth in the larger queer movement in India. They share with us the challenges of forming collectives such as the Transmen Collective, as well as recognising and acknowledging the intersection of queerness with other identities.

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Looking At Queer Pride Beyond The Lens Of My Privilege

A large portion of the last decade has been quite tumultuous for the LGBTQIA+ community in the country. From the decriminalization of Section 377 in 2009 by the Delhi High Court to its recriminalization in 2013 by the Supreme Court, from the state recognizing the discrimination people from the hijra community face to the more recent disaster that was the Transgender Persons Bill of 2016 - the community has been through a lot.

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Why I Compare Myself To Frankenstein’s Monster

Frankenstein’s monster is a thing of utter despair. Its creator is a parent unwilling to acknowledge their child's existence and their right to live , even though he's the one because of whom the so-called monster comes to life in the first place. Once created, the ‘monster’ was shunned and thrown out of civilization.

Unfortunately, as bizarre as it may be, I have often reluctantly admitted to similarities between the lives of a trans-women, like me, and that of Frankenstein's monster.

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On Feminity And Words

Whenever I start talking about homophobia, I feel like I am a sham. To be honest, according to me, being gay in India is relatively easy. However, claiming and representing your gay identity isn’t. We don't get noticed  when we are in public spaces, we don't have to hide our bodies, the way society expects transgender people to, and most times, because of our ‘normal’ appearance finding work is not so difficult. You see, India is not homophobic unless you want to claim your identity.

I was 12 years old when the feminine form became attractive to me. I wanted to emulate what actresses did on screen.

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Walking Into The Closet

For a country where arranged marriages continue to be a norm and ‘love marriages’ scandalous stories that are kept within the families, India seems to have an unhealthy obsession with love stories. From folklore to contemporary cinema, our media is saturated with stories that glorify love as an unstoppable force, and an inevitable fact of life.

What’s more, all of these stories are about two individuals - most certainly a boy/man/ mard overloaded with mardaangi (masculinity ) and a girl/woman/ nari with no backbone – who against all odds (and logic) prove that nothing is impossible when you’re in love.

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